Queens’ College, Cambridge, part I The President and Fellows of Queens’ College
IT has long been appreciated that the main courtyard of Queens’ College represents a new departure in the architecture of Cambridge. For the first time in the history of the university, this building, rapidly constructed between 1448– 50, brought together in coherent architectural form all the chief elements—the gatehouse, hall, services, chapel and lodgings —of a college. What is not generally understood, however, are the origins of this remarkable design, as suggested by the complex early history of the foundation.
During the late summer and autumn of 1446, a group of wealthy burgesses in the parish of St Botolph’s, Cambridge, made gifts of property towards the site of a new college in the city. They were undoubtedly encouraged in their generosity by their energetic parish priest, one Andrew Dokett. He had recently fought a legal battle to release St Botolph’s Church in the city from the controlling hand of Barnwell Priory and been confirmed as its rector. He also had some connection with a student lodging in the city known as St Bernard’s Hostel (he has been described as its governor, but it’s not clear what the evidence for this is). As originally conceived, the new college was almost certainly intended as an aggrandisement of this institution.
Esta historia es de la edición February 02, 2022 de Country Life UK.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición February 02, 2022 de Country Life UK.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery