Steven Gambrel brings clarity and coherence to a Bridgehampton home that has been an unwieldy amalgam of farmhouse and school building since the 1840s
In the 1840s, a farmhouse was erected in Bridgehampton, New York, a quiet agricultural community on the South Fork of Long Island. The builders relocated an old one-room school house from the main street of the village and turned it into a wing of the house, a common practice in the 19th century— why waste perfectly good wood? The house continued to grow over the decades, with additions in the 1870s and 1900s, until it became something of an architectural jumble, with an ill-suited Italianate cornice and porch columns.
Still, it was a lovable jumble. Five years ago, a couple with three young daughters stumbled across a listing for the house on 1st dibs. The Manhattan residents already owned a weekend house in neighboring Sagaponack. “We’d always been enamored with the idea of finding an idyllic farmhouse,” says the wife. “But we didn’t plan on moving. My husband said, ‘Over my dead body are we buying another house.’ Then we drove to see it the next day, and within 24 hours, we had put in an offer.”
Esta historia es de la edición June 2017 de Elle Decor.
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Esta historia es de la edición June 2017 de Elle Decor.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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And How! - Decorator Nick Olsen transforms a Sag Harbor home into a Hamptons retreat with an irreverent humor.
If you must go to the Hamptons, however-because it is devilishly good fun, after all-you may notice an apparently modest, low-slung cottage on Sag Harbor's Main Street and think, with a comfortable sort of feeling, Now that is how a house should look. Nestled amid the Botox bars, helipads, and club-staurants, it could almost set the sordid world aright both a rebuke and a solution to the chaos that surrounds it. A real home.
You Stay Here
At a Martha's Vineyard compound, Steven Gambrel and Tom Kligerman have made a guest retreat so good, visitors may never want to leave.
WHAT'S IN THE MIX?
Rayman Boozer brings his mastery of color and pattern to the renovation of a Harlem duplex for a young family.
THE EMPIRE
A 19th-century gem in Cambridge, Massachusetts, gets a tour-de-force restoration thanks to Frances Merrill of Reath Design.
Now You See It
A modernist beach house's discreet profile hides killer views and knockout interiors by Rafael de Cárdenas.
CIRCLE D'AMOUR
For an object lesson on how to design a Paris love nest, look to Pierre Yovanovitch.
PARK AND RECREATIONS
With the rise of electric vehicles and a fresh focus on design, the once overlooked garage is becoming a future-forward source of joy and energy at home.
Just Like That, But Cheaper
One writer tried to replicate a classic ELLE DECOR interior in his apartment. Could he do it for $500?
But This is My Home - One writer discovers that living in an architectural icon can be a blessing and a curse.
One writer discovers that living in an architectural icon can be a blessing and a curse. My husband and I moved into the Kallis House in Los Angeles six years ago. It was designed in 1946 by the modernist architect Rudolph Schindler, and it's believed by many, including Frank Gehry, to be among Schindler's best. The house is eccentric, perched on the lip of a hill, with a butterfly roof and a shaggy exterior made of grape stakes. The interior is an unfolding series of surprising angles, with a wonderful wide view of the San Fernando Valley.
A SISTER STORY
Jewelry designer Brent Neale Winston and her decorator sibling, Ramsey Lyons, recast a historic Long Island home.