What are your main takeaways from the triumph of Scam 1992?
With this, and with Chhalaang, I feel I bridged that divide between critical and mass appeal. I actually shot Chhalaang before Scam 1992, at a time when I was seeking some of that mainstream popularity. Then, Scam 1992 came along and I owned it completely. It was my baby from start to finish. Its viral success did leave me feeling vindicated.
What are your favourite memories from the shoot for Scam 1992?
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