Did you know that the fashion industry is not part of Singapore's Green Plan 2030, the ambitious national movement that outlines concrete action steps that will help us meet our net-zero objectives by the second half of this century? That's not to say that the Green Plan is not intensive enough (it is), but it means that all of us - consumers and fashion players alike need to play our part. The unvarnished truth is that fashion is one of the most polluting industries in the world, emitting 10 percent of global greenhouse gas emissions, more than shipping and aviation combined. Moreover, only 4 percent of the 137,000 tonnes of fashion and textile waste is recycled.
These numbers are mind-boggling, especially when we see the word "sustainability" bandied about liberally in fashion. But according to a Business of Fashion Sustainability Report, fashion sustainability is not regulated by an external governing body; neither are there standardized frameworks that set regulations in place. The jargon used varies from company to company, and without a standardized language, it becomes increasingly complex to implement must-haves versus good-to have - which results in companies not really understanding where or how to start their journey.
Then, there is the fact that fashion production entails many steps in the process, including textile manufacturing, design, transportation, and distribution. And let's not forget the end of life of the item you're wearing - most of which ends up in a landfill.
In November 2021, Singapore's Textile and Fashion Federation (TaFF) announced the launch of its Fashion Sustainability Programme, which came to fruition in July this year. The agency has released a road map of sorts for brands, designers, and manufacturers who are looking to reduce their environmental footprint* across all layers of the fashion chain, and gain access to green financing.
Esta historia es de la edición September 2022 de Her World Singapore.
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Esta historia es de la edición September 2022 de Her World Singapore.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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TREASURE ISLAND
When plans to demolish the Merlion Tower on Sentosa were announced in 2019, some Singaporeans were sad to see one of the island's most iconic attractions go. After all, the quirky creature – with the head of a lion and the body of a fish – had been a significant part of their memories of Sentosa.The 37m-tall, 12-storey structure, completed in 1996 and designed by Australian sculptor James Martin, was a focal point for laser light shows and projections that transformed its ivory facade into a vibrant display of colours.The Merlion Tower was a popular attraction for families. Singaporean couple Anand and Vrunda Patel would often take their children there for outings. Vrunda, now 50, fondly recalls climbing the structure and admiring the views of Sentosa from the Merlion's mouth. “Outside the Merlion, there was a beautiful step garden with flowing water. I used to love walking there,” she shares.Years later, the statue, covered in dirt and grime, required a refresh. The demolition was not only part of a larger vision to connect Resorts World Sentosa (RWS) in the north to the three beaches (Palawan, Tanjong and Siloso) on the island's south, it was also the start of a massive rebranding project to transform Sentosa from a recreational family destination to a premier lifestyle attraction.Today, Sentosa Sensoryscape stands in its place. Set within a lush landscape, the 30,000 sqm attraction features a 350m-long connector that leads visitors to six sensory gardens – where they can explore the gardens’ massive vessel-like sculptures, observe the various flora and fauna inhabiting the space, and interact with Instagrammable light displays through an augmented reality app after nightfall.“To attract younger visitors, our additional focus is on creating more authentic and immersive experiences, recognising that this demographic seeks deeper, more engaging interactions with the places they visit,” says Thien Kwee Eng, CEO, Sentosa Development Corporation (SDC).Just as Sensoryscape is designed to create an otherworldly atmosphere after dark, the Sentosa Night Mode campaign, launched in August, aims to introduce the island as a day-to-night destination for both locals and tourists, who would typically only make day trips to Sentosa. In addition to more nightlife events – such as the recent Waterbomb Festival, which saw about 10,000 revellers partying to a live K-pop line-up – the initiative includes extended operating hours at key attractions, along with street performances and dining promotions.It’s a move that has boosted visitorship to the island, with total numbers reaching 16 million this year.“This is a 20 per cent increase in the number of visitors as compared to the same period last year,” reveals Kwee Eng.
TAKING THE LEAP
It’s 10 am on a Monday, and Gan Guoyi, 40, walks into Jigger & Pony with a set of dry-cleaned clothes – a picture of calm amid the aftermath of last night’s chaos. The Singapore bar recently secured a spot in the Top 5 of The World’s 50 Best Bars 2024 list, announced in Madrid on Oct 23. To celebrate, she threw a three-night promotion from Nov 10, where customers enjoyed five premium cocktails for just $5 each at select bars like Gibson, Live Twice, Sugarhall, Como Pony Jakarta, and Jigger & Pony.Naturally, the event was a hit, and Guoyi, who was manning the guest list at Sugarhall, only managed a few hours of sleep the night before. Still, she arrives promptly to our photo shoot without complaints.
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