The Legendary Rivalry Revisited
Man's World|November 2018

They were the two greatest sitar players of the post-independence generation and lifelong adversaries. Vilayat Khan and Ravi Shankar were contemporaries who played together on stage only once, in 1952, when the former stole the show. Journalist and author Namita Devidayal explores this unique rivalry in The Sixth String of Vilayat Khan (Westland Publications), her brilliant new biography of the mercurial Hindustani classical musician, from which this piece is excerpted.

Namita Devidayal
The Legendary Rivalry Revisited

1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. Two young string musicians were performing together at the Constitution Club grounds—a sitar player called Ravi Shankar and a sarod player whose name was Ali Akbar Khan. Both were in their early thirties and students of Baba Allauddin Khan, an ambidextrous musician with a goatee, famous for his genius and his temper.

The concert was part of the Jhankar Festival. There was tremendous anticipation around this particular performance and the music fraternity had been buzzing for days. Ravi Shankar had already astonished the world by creating an orchestra for the new All India Radio. Ali Akbar, who happened to be Baba’s son, was emerging as one of the most refined musicians of his generation. Accompanying them that evening were two tabla masters from Banaras, Kanthe Maharaj and his nephew Kishan.

A covered stage had been constructed on the grounds. The musicians walked up, one behind the other, all wearing white. While they were tuning their instruments, a young man in a black kurta and rimless glasses suddenly appeared in front of the stage, clutching his sitar.

He addressed the audience in beautiful Urdu. ‘This stage has so many gorgeous flowers. I would like to add my fragrance by joining my friends Robu-da and Alu-da this evening.’

A murmur of surprise went around the audience. The performance was meant to be a duet. Who was this? Although he spoke poetically, this man had the air of a human detonator. He held his instrument as if it were a weapon, pointing it at phantom enemies. His eyes blazed behind the glasses he wore.

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