With Andhadhun, a worthy follow-up to Badlapur, Ek Haseena Thi and Johnny Gaddar, Sriram Raghavan establishes himself as an auteur with a signature style.
Can we anoint him the nawab of noir? After making Andhadhun, destined to be a cult classic for the discerning and perhaps the hit of the year with audiences, Sriram Raghavan has to be counted among the best of our directors. And that too, consistently, taking on a challenging genre like a noir thriller. I don’t particularly like the term neo-noir, because it will always be a reinvention of classic Hollywood noir which was for a particular time and ethos but bequeathed an aesthetic and grammar for later converts (coming from different filmmaking traditions) to adapt and make it their own. Sriram Raghavan has done it with an originality that is not show-offy and a casual panache that is almost audacious.
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Esta historia es de la edición November 2018 de Man's World.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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