And Then There's The Image Itself
New York magazine|February 5–18, 2018

SUDDENLY, FASHION PHOTOGRAPHY seems stale. But not just stale—also cruel.

Stella Bugbee
And Then There's The Image Itself

The recent allegations of sexual abuse by Bruce Weber and Mario Testino suggest that the tension that gives most fashion imagery its charge might come at a very human cost. This should have been obvious all along—just look at the images, suffused by a vernacular of degradation, pain, and suffering. As “casting couch” practices persisted in Hollywood, the idea that a model was a mirror for a photographer’s dark urges seemed too obvious to interrogate. Or perhaps too discomforting, given that our desires were reflected in those images. Objectification was the price of admission to a supposedly glamorous world. All along the fashion food chain, everybody benefited, so long as the models kept their silence.

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