A crowd in Bushwick, Brooklyn, watching election returns on November 3.
AT LEAST ONE THING REMAINED consistent through Election Week’s sea of unknowns: Watching everything unfold in real time on cable news felt like being slowly flayed alive, or perhaps buried under a suffocating pile of county maps, each of them stalled at 82 percent returned. For months, we had been warned that there would be no clear winner on Tuesday night and that the tallying would likely stretch for days or even weeks. Yet despite this anticipated limbo, the time we spent glued to the news was much like being stretched on a rack, with each new tranche of ballots providing one more opportunity for agony.
The worst was CNN on Tuesday night. From 7 p.m. until midnight, it was an unending marathon of the John King Magic Board Show—an hours-long stream of the anchor’s upper body in front of his large touchscreen map, zooming in and out of states and counties, flipping back and forth between 2016 and 2020 results, again and again circling MiamiDade County and drawing parallel lines to connect Pennsylvania and Minnesota.
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Esta historia es de la edición November 09, 2020 de New York magazine.
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Trapped in Time
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Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
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Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
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The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
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The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
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These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
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Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
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Deli Meat Is Rotten