Skinamarink is as hair raising | watching it. All those long, atmospheric shots of the grainy darkness beyond open doorways and the flickering light of the TV from the back of the sofa lose their impact.
More interesting is how Skinamarink traffics in horror concepts that were born from, or at least obsessed over on, the internet as it is boring, which doesn't feel like a failure as much as the goal of this microbudget effort. An experimental horror movie shot in writer-director Kyle Edward Ball's childhood home in Edmonton, Canada, it forgoes standard storytelling to re-create the sensation of being scared more precisely, being scared when you're a kid and the night has transformed your bedroom into something alien and the hallway between you and the bathroom into a no-man's-land full of monsters.
Esta historia es de la edición January 30 - February 12, 2023 de New York magazine.
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Esta historia es de la edición January 30 - February 12, 2023 de New York magazine.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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