Amy Adams hunts a local killer in Sharp Objects.
“DEAD GIRLS EVERYWHERE,” laments a character in HBO’s smalltown mystery Sharp Objects. She’s talking about more than the preteen bodies found piling up in Wind Gap, Missouri, where hometown gal Camille Preaker (Amy Adams) has returned to write a story for her St. Louis newspaper and come to terms with her haunted past. Based on the terse and haunting debut novel by Gillian Flynn (Gone Girl), this eight-episode series is in part about the spirit-killing exploitation, manipulation, and negative messages that drive women of all ages, classes, and races to hurt themselves and other women. (Camille is a cutter whose body is inscribed with so many messages that when she goes out in public, only tiny slivers of skin are exposed.) And yet Sharp Objects embeds its cultural observations so deep in the fabric of its story that it never feels like a message delivery device that just happens to have characters and a plot. And, much like David Fincher’s gory black-comedy movie adaptation of Gone Girl, its ultimate resolution will likely have critics arguing about whether it’s part of the problem or the solution.
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Esta historia es de la edición July 9, 2018 de New York magazine.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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