Elizabeth Warren’s full-body fight to defeat Trump.
It was unremittingly hot at the farm in Natick, Massachusetts, where 1,500 people had gathered on the Sunday after the Fourth of July. Remarkably, this crowd had assembled under a blistering sun not for a free concert, or outdoor theater, or even a protest, exactly. They’d come for an open-air town hall with their sitting senator, a 69-year-old woman widely expected to win re-election to her second term this fall. Standing at the back of the sweaty throng, I’d seen her introduced from the stage, then heard cheers greeting her entrance, but couldn’t for the life of me lay eyes on her. Not until I climbed onto the seat of my folding chair in the press section. There she was, jogging 75 yards down a hill in open-toed mules, her aqua cardigan flying behind her.
Massachusetts senator Elizabeth Warren is in constant motion. She often takes stages at a run, zigzagging around the edges of crowds, waving and giving high fives like Bruce Springsteen. Speaking to groups of supporters, she rocks on her feet, or rises to her tiptoes, with feeling; occasionally she tucks her mic under her arm to clap for herself or cuts the air in front of her with her flat palm. She’ll beat her chest for emphasis, speak so passionately that she gets winded, and throw a fist in the air as a symbol of defiance and determination. One afternoon in Nevada, perched on a punishingly high stool in front of several hundred people at a brewery, she kicked her feet out in front of her with such force that I feared she’d tip over backward.
Watching Warren this steamy summer as she works to move her party through the perilous wilderness of the Donald Trump administration, through the midterms and her own reelection to the Senate, and then perhaps toward a run for the presidency, she appears to have committed her whole body to the effort. Like if she stops moving, the whole world will end.
Esta historia es de la edición July 23, 2018 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición July 23, 2018 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten