The political philosopher Hannah Arendt, analyzing the fall of democratic Germany to the Nazis, observed that totalitarianism comes to power through a “temporary alliance between the elite and the mob.” Seventy years ahead of her time, she couldn’t have articulated a more apt description of Twitter, Inc. The company has become a primary platform for just such an alliance: totalitarianism, but with stock options.
The stock isn’t even worth that much, relatively speaking. On the day of Twitter’s initial public offering, in 2013, shares closed at $44.90. On January 28, they closed at $51.57. That’s an increase of about 1.9 percent per year—barely more than the rate of inflation. Facebook has nearly sextupled over that period. Even the New York Times Company, once thought doomed by the rise of social media, has almost quadrupled. As a business proposition, Twitter’s decade-long experiment in monetizing rage and disinformation has failed.
A little over a year ago, I joined a chorus admonishing the company. “Algorithms that promote conspiracies and junk science, and inconsistent application of your terms of service, have resulted in a firm that not only underperforms, but is dangerous,” I wrote in a public letter to the board. “The poor citizenship of Twitter is bad. What’s worse is Twitter’s malfeasance coupled with scant benefit to stakeholders.” Despite the fact I owned $10 million of the stock, the company didn’t even respond, let alone act on the advice. So let me put it a little more plainly.
Esta historia es de la edición February 1-14, 2021 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición February 1-14, 2021 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten