The (presumably) true story behind the (hugely failed) stunt that turned into one of the weirdest news events in pop-culture history. By David Marchese
THE SAGA of the Wu-Tang Clan’s Once Upon a Time in Shaolin album, which unfolded in 2015, seemed both too good to be true and too good to ignore. There was the outlandish conceit: The iconic rap group had recorded an entire new album, of which it was producing only a single copy. There was the over-the-top villain: pharma-industry gremlin Martin Shkreli, who, in what appeared to be a trolling act of conspicuous consumption, bought the copy of the album for a reported $2 million (the exact number has never been officially confirmed) in order to hoard it for himself. And there was the whiff of illicit high jinks: A rumored clause in the sale contract suggested that the Clan (or, weirdly, Bill Murray) could legitimately retrieve the album from Shkreli if they managed to nab it from him in a heist. (Because of course there has to be a Bill Murray angle.) As with all too-good-to-be-true stories, this one turned out to be part truth, part rumor, part hoax, and all ridiculous.
Esta historia es de la edición July 10–23, 2017 de New York magazine.
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Esta historia es de la edición July 10–23, 2017 de New York magazine.
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