The author at age 3 with Grandpa Charles.
WE CREMATED MY GRANDFATHER the week I was supposed to get married. The white dress I bought a year ago still hangs in my closet, next to the black dress I brought home with me to Virginia. I’d flown back from New York the first week in September, when he was still alive, when there was still a chance he could stay that way. But we all knew the odds. The black dress was a precaution and a reminder of how badly things had gone awry. I’d bought it when I still thought I would wear it to work in the summer. Then the pandemic happened, and it’s a funeral dress now.
My grandfather died from complications of covid-19. The last time I saw him, I wore gloves and a plastic gown, and put a face shield on over a mask. I stood next to his hospital bed with my family. The doctor warned us not to touch him, but I did, gently, one gloved hand over his. That he should die without touch felt intolerable, a punishment for a man who didn’t deserve one. We reminded him that we loved him. My mother told him that the neighborhood bear had returned, that the farmers’ market had good carrots. Despite our alien look, he recognized us. The virus was bad, he said, but he’d fight it.
He tried. He lingered for several long days until the virus had its way. From the evening I got the call that he was sick until the moment my mother told us that he’d died, he fought. But he was 86 years old, which made him a high-risk covid patient. His health had been declining, gradually, for months. The virus attacked his lungs, and then his heart, with lethal precision. In the end, he was no match for it.
Esta historia es de la edición November 09, 2020 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición November 09, 2020 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten