Sobhita Dhulipala wants to feed her enemies to the pigs. That’s when I learn that pigs can eat entire human beings, leaving no trace behind. Teeth, bones, guts. All gone. It’s the perfect way to knock one or two people off your hit list. Dhulipala proposes this idea while she’s looking out of a car window, white earphones tucked firmly in, long hair sweeping across her face.
Well, actually, she proposes it on the internet. This scene takes place on Instagram, in a post that Dhulipala concludes by saying that since pigs are so cute, she’d rather feed them yummy things instead. In fact, could we please all just google pictures of piglets? She insists. So I do just that. They’re incredible.
This post is not an outlier on Dhulipala’s internet. Dark humour, a self-deprecating tone and the pairing of a windswept photo with an ironic caption are all hallmarks of the 27-year-old actor’s digital persona. In one post, she wears a white hotel bathrobe, gold stilettos, and a double string of pearls around her neck. The caption reads: ‘I’m going to hell Ma’. In another, she’s in a large striped shirt, hair hanging loose, with a disgruntled expression on her face. The caption? ‘Every time I type lmao’.
My favourite, though, is a picture of the Made in Heaven (2019) star sitting on the sparse banks of a water body. She’s dressed all in black, with her hair styled into a long braid. Her back is to the camera and she looks sideways into the distance, so all we see is her strong profile: a prominent cheekbone, half of a full mouth and one perfectly arched eyebrow. But that’s just the appetiser. Her right arm extends back towards the camera, and her hand, resting on the earth, holds a black handgun.
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Esta historia es de la edición August - September 2019 de Verve.
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Making Amends
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Diamonds With Provenance
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SARTORIAL ECONOMICS
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NOTES TO SELF
An anthropomorphized tiger’s perspective, a viscerally worded futuristic interpretation of loss, a critique of performative activism, a meta reflection on the earth’s crises. Told through different lenses, Janaki Lenin, Indrapramit Das, Keshava Guha and Roshan Ali’s stories — written exclusively for Verve — attempt to make sense of the fraught reality that we exist in today
The Eternal Optimist
As Generation X and xennials grapple with fully transitioning to conscious living, young millennials and Generation Z are leading the charge to reverse human-caused environmental damage. Sahar Mansoor, founder and CEO of the Bengaluru-based zero-waste social enterprise Bare Necessities, has a simple overarching philosophy: consume less and stay positive. Verve gets deeper into the mindset of the action-oriented earth advocate
Redemption SONGS
Indian music festivals have been demonstrating a refreshing sense of responsibility in terms of their ecological impact. Interacting with stakeholders who strive to make these large-scale events greener, Akhil Sood investigates the reasons behind the improved attitudes of audiences and the increase in corporate support.
earth hour
Crafted using nature’s elements, these dials draw inspiration from the many heterogeneous materials and hues around us.Verve turns its lens onto a mesmerising few
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Most of us are only just waking up to the urgency of climatic action. When the stakes are so high, what can individual action solve? Mridula Mary Paul, an environmental policy expert, is proof of the tenacity needed to effect systemic change. It’s not glamorous, and the rewards are few and far between, but that doesn’t stop her from aiming big, finds Anandita Bhalerao
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Navigating Indian streets as a woman is hard enough. But what is it like while riding a bicycle? Bengaluru-based Shreya Dasgupta, a regular cyclist, speaks to five urban women about the pros and cons of this increasingly popular means of transport.
