How are you dealing with a year off the road, Rhonda?
Well, Jeff has a record that they were going to release, and his tour is rescheduled until April 2021, so while we’re waiting for that to happen I’ve been playing a lot of bass and writing a lot. I have Pro Tools here at home, so when I want to record, I can just bang it out right here. I have a record of my own in the works too, so I’m looking to get some singles done and get them released in the best way in the current climate.
Is a Paul Reed Smith still your go-to bass?
Yes it is—I’m still rocking that Gary Grainger PRS. Those Private Stock one-piece basses are so incredible, and mine is just part of my hands now. It was love at first sight for me. If somebody thinks they can beat it, they’re welcome to try, ha ha! I have a second one that’s exactly the same, but in white, as my backup. I also have a five-string version of the same bass, because some songs just sound amazing with that low B string, especially in an auditorium where you can take advantage of the dynamic range. It’s so powerful, although I use it sparingly. Normally I’ll take the five and the four out with Jeff, or all three basses if we’re out for longer.
What other gear do you use?
I use Aguilar, too. I love their stuff, especially the big touring heads—they’re just amazing. They have a really strong presence around the world, which is important if you’re touring: You want to use really great amps, but some companies don’t have any overseas support because they’re so small. In that case, if you have a situation where your gear breaks, you’re done, but the Aguilar guys really have their stuff together.
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Esta historia es de la edición January 2021 de Bass Player.
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