It’s fair to say the past decade has seen a few twists and turns for Akai’s iconic MPC line. In 2012, the range morphed from its traditional ‘all-in-one-box’ format to become a hybrid controller-software system more akin to NI Maschine. In 2017, however, the MPC returned to its standalone roots with the impressive MPC Live and its behemoth sibling the MPC X. The One now joins that range as a more compact and wallet-friendly counterpart to the MPC Live.
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SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
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Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
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Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
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Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
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Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates