EVERY LONG-RUNNING BAND has its defining album, a creation that emerges from a seemingly perfect convergence of creative forces. For the Beatles it was Sgt. Peppers’ Lonely Hearts Club Band. For the Rolling Stones it was Exile on Main Street. Numerous other examples abound, from the Beach Boys’ Pet Sounds to Pink Floyd’s The Dark Side of the Moon.
For Kiss, the magic arrived on Destroyer, an album on which the forces didn’t combine as much as they cascaded forth like a fountain of stage blood. Coming after the clunky opening trio of Kiss, Hotter Than Hell and Dressed to Kill, 1976’s Destroyer was the studio follow-up on which the New York City glam rockers fine-tuned their mix of brawny rock and roll and theatricality into a musical vision that was both sonic and cinematic in its scope. Yes, it has the hits, including “Detroit Rock City,” “Shout It Out Loud,” “Gods of Thunder,” “Flaming Youth” and “Beth,” but Destroyer has something more: a cohesiveness of sound and vision — amid a sonic collage that includes choir, orchestra and keyboards — that in 1976 elevated Kiss to the ranks of rock and roll gods. To many fans, it was and remains their greatest achievement.
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Esta historia es de la edición January 2022 de Guitar Player.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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PRS
PREVIOUSLY PART OF PRS's Maryland-built guitar line, the SE NF3 was recently reissued in the company's offshore-produced SE series. The SE NF3 is so named for its Narrowfield Deep Dish (a.k.a. DD) \"S\" pickups. These unique PRS-design units have deeper bobbins to accommodate more windings and extra metal pieces between the magnets to yield a more powerful \"single-coil\" tone, while remaining noise-free because they are in fact humbuckers. A control set consisting of master volume, tone and a five-way blade switch allows the usual selections of bridge, middle and neck pickups by themselves and the neck-plus-middle and bridge-plus-middle combinations that allow the SE NF3 to veer into Strat-like territory in switch positions two and four.
EPIPHONE
Inspired by Gibson Custom 1963 Firebird V and 1959 ES-355
Dobro 101
A look at the iconic bluegrass slide box.
CERTIFIED GREATNESS
Fingerstyle master Tommy Emmanuel combines unique musical instincts and breathtaking technique to become an acoustic tour de force.
MASTER OF HIS OWN JOURNEY
For more than 50 years, David Lindley graced albums and concert stages with his singular talent on a vast range of stringed instruments. In this Guitar Player exclusive, his musical friends — including Jackson Browne, Ry Cooder and Bonnie Raitt - pay tribute to an original.
TRANSCENDENTAL MAN
Luther Dickinson interpreted a priceless work of art in music. In the process, the blues guitarist wrote his own next chapter.
THE BEAT GOES ON
Together with Tony Levin, Adrian Belew and Steve Vai join forces for a Robert Fripp-endorsed revival of King Crimson's groundbreaking 1980s music.
I'M 100 PERCENT HAPPY WITH THE WORK I'VE DONE WITH PINK FLOYD. BUT...'MY FOCUS IS DIFFERENT RIGHT NOW'
Leading a rock group and being a solo artist were \"not what I asked for,\" David Gilmour says. For Luck and Strange, he assembled a team that shared the weight of his creative efforts. The result? \"The best album I've made since The Dark Side of the Moon.\"
DOUG GILLARD IS INDISPENSABLE
His six-string genius has proved vital to the music of Guided by Voices, Nada Surf and other indie-rock favorites. But all he really wants is to make good music.
Sol Salvation
The genius of Sol Hoopii is preserved in 16 timeless cuts on Master of the Hawaiian Guitar.