Q: WHAT AMPS AND EFFECTS ARE YOU USING THESE DAYS? — JASON ALLWOOD
Right now I play through two Matchless Clubman 35 brains and speaker cabinets and I also use a Fender Vibro-King. I use the Matchless for the times I use vibrato so that I can have it in stereo, and I use the Vibro-King on its own for certain tunes. Other than that it’s a vibrato unit my guitar tech made for me that he got from the schematic of the original Magnatone so I could have that mono vibrato. A little bit of reverb and that’s it.
Q: Why did you call your latest album That’s What I Heard? — K. Fuller
Because it’s got a little bit of everything. We did a bunch of covers by some of my favorite artists, like Curtis Mayfield and Bobby “Blue” Bland. There’s also a funky groove by Don Gardner (“My Baby Likes to Boogaloo”) along with a Sensational Nightingales song, “Burying Ground,” which is a gospel tune. Then there’s some tunes we wrote as well.
Q: The new album has a Sam Cooke vibe to it. Was that by design? — Andrew Narvaez
The whole idea came about because [producer] Steve Jordan wanted to take us into Capitol Studios [in Hollywood]. It was the first time for us there as a band and it was amazing. Just being in that studio with the great engineers, microphones and the atmosphere that place exudes was exciting. Seeing the old photos on the wall and knowing all the great artists who performed there. The reverb system that Les Paul built is still in existence there — as well as all of the charm.
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Esta historia es de la edición June 2020 de Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
