The influence of Celtic music on my acoustic playing
IN THIS COLUMN, I’d like to present some specific, intricate rhythmic ideas, as presented in a composition of mine called “Fortress,” featured on my latest release, Era. I wrote this piece while living in Northern Ireland, and it’s very much inspired by the music of that country, as well as its landscape and people, and the political climate that was present there in the Seventies.
“Fortress” is essentially a slow Celtic ballad in 6/8 meter, with a waltz-like vibe. Underneath the fingerpicked chordal and melodic elements is a “kick drum” pattern that I perform by slapping my pick-hand palm against the face of the guitar. The percussive pattern of this palm accent is a bit odd, as, in isolation, it’s played in a rhythm of 7/8, while the fingerpicked pattern is performed in a 6/8 meter. The odd juxtaposition of rhythms is intended to compositionally imply an air of unrest, akin to that for which the region is known.
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