Back in March, John Smith was in the middle of an Australian tour when the country announced restrictions on mass gatherings due to the Coronavirus. Shortly after, he found himself on the first flight home to the soon-to-be-locked-down UK. A little over a month later, however, and John had released his latest album, Live In Chester, and was set to embark upon a ‘virtual world tour’, a new landmark in his career so far…
Music has been part of John’s life from an early age. When he was only five or six he began playing the piano, then the drums. The guitar came a little later, entering his consciousness when he saw the movie Bill & Ted’s Bogus Journey around the age of 11. “That big guitar duel at the end blew my mind,” he laughs. “I thought, ‘Oh right, I’m going to have to start playing guitar!’”
John’s father worked in the record industry and played guitar himself so, noticing his son’s enthusiasm, he bought him a red Squier Strat so he could have some most excellent musical adventures of his own. Since then John has gone on to tour the world armed with an enviable selection of Fylde acoustics, making albums along the way. We were curious to join the dots between those early Squier Strat days, a love for traditional English songs, and the effect that ‘working from home’ has had on an otherwise itinerant musician.
Esta historia es de la edición August 2020 de Guitarist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August 2020 de Guitarist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more