The System 7 and Gong guitarist on keeping it real and looking after your back
What was the first gig you played and how did it go?
“I think it was with the first iteration of my band at school, which became known as Uriel. It was at another school, a Dunstable school, at a school dance in early ’67 and I played on a borrowed Watkins Rapier electric guitar. I seem to remember that it went okay – and I think I got drunk after it. That’s about all I remember, now… I think I remember my hangover more than the gig, actually.”
Describe your current stage rig…
“My current stage rig is very simple. It’s a Steinberger GL4T guitar that I bought in 1988 and which I still love very dearly, and a Line 6 POD XT Pro rack unit with a Line 6 pedalboard that does all the effects and provides the tone. I’ve two configurations: I use a studio direct when I play with System 7, directly into the DJ mixer’s line in, and when I’m playing live, doing gigs with Gong or other live projects, I use a Fender Twin amp with the Line 6 set to the guitar amp configuration, which changes the sound a little bit and the gain structure. I like the amp to be set clean – I like a loud and clean amp, so I make all the tones on the Line 6 device. That’s basically it; I’ve tried lots of other rigs of this nature, but the Line 6 works out the best.”
What’s on your rider?
“Drinks rider? A bottle of Champagne – a good quality French Champagne, Moët & Chandonor the like for after the gig. That’s the most important bit, and then there’s fruit, juice, lots of water, some nibbles and some beers – some of the people I work with prefer beer. European bottle beer, though…”
Esta historia es de la edición December 2018 de Guitarist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición December 2018 de Guitarist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more