Nawazuddin Siddiqui was one of the first actors to testdrive the OTT vehicle before it became a sought-after model. Sacred Games (2018), Netflix’s first Indian original, seems like a distant memory but it was to acquaint audiences with long format storytelling. Five years back, Siddiqui saw what his peers couldn’t or didn’t bother to. Streaming platforms gave access to a wider audience compared to theatres, which governed by commercial diktats made it difficult for non-studio, non-star driven films to run long. The stories on the services, he felt, were “made with daring”. Most importantly, it was the opportunity that it provided to the deep pool of talent “who wouldn’t have come to the forefront in [theatrical] films”.
Esta historia es de la edición February 07, 2022 de India Today.
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Esta historia es de la edición February 07, 2022 de India Today.
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Shuttle Star
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There's No Planet B
All Living Things-Environmental Film Festival (ALT EFF) returns with 72 films to be screened across multiple locations from Nov. 22 to Dec. 8
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THE MAHINDRA INDEPENDENCE ROCK FESTIVAL PROMISES AN INTERESTING LINE-UP OF OLD AND NEW ACTS, CEMENTING ITS REPUTATION AS THE 'WOODSTOCK OF INDIA'
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Nikhil Advani’s adaptation of Freedom at Midnight details our tumultuous transition to an independent nation
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THE ETERNAL MOTHER
Prayaag Akbar's new novel delves into the complexities of contemporary India
TURNING A NEW LEAF
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INDIA'S BEATING GREEN HEART
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A NEW LEASE FOR OLD FILMS
NOSTALGIA AND CURIOSITY BRING AUDIENCES BACK TO THE THEATRES TO REVISIT MOVIES OF THE YESTERYEARS