The troubled birth of the Sydney Opera House has inspired an ambitious period novel.
Shell opens in November 1960 as Paul Robeson, the American singer and activist, performs for the workers at the building site of the Sydney Opera House.
Young journalist Pearl Keogh is moved by the singing and all it represents: “It wasn’t just the building or the place Robeson had sanctified, but the labour. The valour of it. The modest hearts of workers. In his songs, in the faces of the men, was every story she had ever tried to write.”
Esta historia es de la edición October 6 - 12 2018 de New Zealand Listener.
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Esta historia es de la edición October 6 - 12 2018 de New Zealand Listener.
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First-world problem
Harrowing tales of migrants attempting to enter the US highlight the political failure to fully tackle the problem.
Applying intelligence to AI
I call it the 'Terminator Effect', based on the premise that thinking machines took over the world.
Nazism rears its head
Smirky Höcke, with his penchant for waving with a suspiciously straight elbow and an open palm, won't get to be boss of either state.
Staying ahead of the game
Will the brave new world of bipartisanship that seems to be on offer with an Infrastructure Commission come to fruition?
Grasping the nettle
Broccoli is horrible. It smells, when being cooked, like cat pee.
Hangry? Eat breakfast
People who don't break their fast first thing in the morning report the least life satisfaction.
Chemical reaction
Nitrates in processed meats are well known to cause harm, but consumed from plant sources, their effect is quite different.
Me and my guitar
Australian guitarist Karin Schaupp sticks to the familiar for her Dunedin concerts.
Time is on my side
Age does not weary some of our much-loved musicians but what keeps them on the road?
The kids are not alright
Nuanced account details how China's blessed generation has been replaced by one consumed by fear and hopelessness.
