The marriage rate has been decreasing for decades, and more people than ever before are living solo: nearly 40% of adults in the U.S. are unpartnered, up from 29% in 1990, according to the Pew Research Center. About half aren't interested in dating or a relationship.
Evidence suggests that people in romantic relationships tend to be happier and have greater life satisfaction than singles, but-as with all relationships-it's complicated. Research has found, for instance, that people in unhappy marriages have equal or worse health outcomes compared with those who were never married. Another important caveat: the singles who have the hardest time with their relationship status tend to be divorced people. Widowhood is also associated with worse mental health.
Researchers are only beginning to understand how singlehood affects health and happiness, and the solo life comes with surprising perks, says Bella DePaulo, a (happily single) social psychologist. "Once I realized that single was who I really was, and that was never going to change, it was wonderful," she says.
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Esta historia es de la edición March 13 - 20, 2023 (Double Issue) de Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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