I CONFESS, the word “Shakespeare” makes me think of school. Nothing about the LFF’s closing night film, though, feels like hard work.
Shot in black and white, Joel Coen’s take on the Scottish play is easily one of the best films of the year, as stark and airily elegant as Ingmar Bergman’s The Seventh Seal (with a pinch of James Whale’s Bride of Frankenstein thrown in). A non-binary witch gyrates like a spider. A wild-haired woman teeters on the most vertiginous of cliffs. We’re part of a nightmare, for sure, but it’s so lush we don’t want it to end.
Denzel Washington is casually commanding as fêted soldier (and eventual regicide and crazed schemer) Macbeth. From the beginning, Washington makes the character an intriguing mix of impulsiveness and self-doubt. This Macbeth bites his lip.
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Esta historia es de la edición October 18, 2021 de Evening Standard.
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