JOSE JEULAND: Nanda, could you share a little bit more about you? Your Background, where grow-up? Education or previous jobs?
NANDAKUMAR NARASIMHAN: I was born in Bombay (now Mumbai). I spent the first 14 years of my life there before moving to Singapore with my dad in 1997. I did my degree in Environmental Engineering through NTU, and I haven't worked as an engineer for even a day. I don't even know if I can find my degree certificate today. So I've worked as a photographer since 2009, and that is clearly my field.
J.J.: Before digital photography, were you a photographer using film?
N. N.: Oh yes. I happened to be the Photographic Society president in my University, and I spent more time in the darkroom than in the lecture and tutorial rooms in NTU. I started with photography using my dad's Zenit EM camera back in 1998 and never really shot with a digital camera until 2007 when I did some portrait assignments in my University that required me to shoot on digital. For me, It's always been film cameras. Even today, around 95% of my personal projects are done on film.
J.J.: You did incredible work about the Indian Railways. Could you share with us more about this work? Which area was this? When did you start working on this series?
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Esta historia es de la edición March 2021 de Lens Magazine.
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IN THE SHIPYARDS OF DHAKA
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Aga Szydlik INDIA
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I retrieved the idea of nature closely linked to the field of human feelings.
The Extreme Macro Photography of Bees
AN INTERVIEW SAM WITH, DROEGE
JEAN KAROTKIN GYMNOPEDIES
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BUTTERFLIES IN LOVE WITH FLOWERS
I sometimes think Chinese art is not fully appreciated in the West. I was exposed to it growing up in Australia, although my fascination was more with calligraphy.
Lissa Hahn:
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AN EXCLUSIVE INTERVIEW WITH ELENA PARASKEVA
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In a remote area of western Wisconsin, dogs and cats who otherwise would have ended up on death row are given a reprieve. They can now live out their lives in peace and comfort and with companionship at Home for Life (HFL), which was not afforded them outside the sanctuary's gates.
The Art of DISAPPEARING
In the classical proposal, indigenous people are usually the topic of discussion, but rarely do they have a hand in shaping it.
