01 NOW YOU SEE ME
Shooting under a bridge, Dylan’s captured some fantastic contrast between light and shadows
Lens Canon EF-S 18-55mm f/3.5-5.6 IS II
Exposure 1/4000 sec, f/3.5, ISO100
NAME: Dylan Lombard
LOCATION: Glasgow, Scotland
MISSION: Capture candid portraits on the busy streets of Glasgow
KIT: Canon EOS 650D, Canon EF-S 18-55mm f/3.5-5.6 IS II & EF-S 55-250mm f/4-5.6 IS STM
www.dylanlombard photography.co.uk
Esta historia es de la edición April 2022 de PhotoPlus : The Canon Magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición April 2022 de PhotoPlus : The Canon Magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!