STEPHEN WILKES COMPRESSES TIME TO CREATE STARTLINGLY ORIGINAL IMAGES
![Long Story Short](https://magarticles.magzter.com/articles/5800/257622/5a689734d86fc/Long-Story-Short.jpg)
STEPHEN WILKES CARRIED THE IDEA of day-to-night images for a long time. The seed was planted when he photographed the cast and crew of Baz Luhrmann’s Romeo + Juliet for Life magazine. “They wanted everyone in one panoramic photo,” Wilkes says. “Problem was, the film set was square.” With David Hockney’s collages in mind, Wilkes solved the problem by shooting 250 images across the scene, then spending a week gluing prints together. “I thought, So cool, multiple moments in one picture.” Years later, with Photoshop, the idea was even cooler: seamless stitching, no glue needed.
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Esta historia es de la edición February 2018 de Shutterbug.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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PREPARED FOR A METEOR SHOWER, A PHOTOGRAPHER FINDS THE NIGHT HAS A FEW SURPRISES IN STORE.
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EXPLORE CREATIVE TECHNIQUES TO ADD VARIETY TO YOUR PHOTOS.
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HOW INSTAGRAM AND AN IPHONE TURNED A HOBBY INTO A SECOND CAREER
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EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT CAMERA SHUTTERS BUT WERE AFRAID TO ASK
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CAPTURING AMERICAN TRADITIONS IN TIMELESS BLACK-AND-WHITE IMAGES.
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WHAT’S THE REAL ATTRACTION—THE PHONE’S CAMERA OR THE CREATIVITY OF ITS APPS?
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HOW DAVID INGRAHAM TAKES STREET PHOTOGRAPHY BEYOND TRADITION.