As the summer of Donald Trump came to its end—and the prospect of a springtime for Trump no longer seemed like a gag—the quest to explain the billionaire’s runaway clown car went into overdrive. How could a crass, bigoted bully with a narcissistic-personality disorder and policy views bordering on gibberish “defy political gravity,” dominate the national stage, make monkeys out of pundits and pollsters, and pose an existential threat to one of America’s two major parties?
Of course, it was the news media’s fault: The Washington Post charted the correlation between Trump’s national polling numbers and his disproportionate press coverage. Or maybe the public was to blame: Op-ed writers dusted off their sermons about Americans’ childish infatuation with celebrities and reality television. Or perhaps Trump was just the GOP’s answer to the “outsider” Bernie Sanders—even though Sanders, unlike Trump, has a coherent ideology and has spent nearly a quarter century of his so-called outsider’s career in Congress. Still others riffled through historical precedents, from the third-party run of the cranky billionaire Ross Perot back to Huey Long and Father Charles Coughlin, the radio-savvy populist demagogues of the Great Depression. Or might Trump be the reincarnation of Joseph McCarthy (per the Times’ Thomas Friedman), Hugo Chávez (the Wall Street Journal’s Bret Stephens), or that avatar of white-racist resentment, George Wallace (George Will)? The historian Richard Hofstadter’s Goldwater-era essay on “the paranoid style” in American politics was once again in vogue.
Esta historia es de la edición September 21 -October 4, 2015 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición September 21 -October 4, 2015 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten