That’s where Yara’s uniqueness ends and an uneasy sense of parody begins, for me. While Ubisoft is determined to make Giancarlo Esposito’s despot, Antón Castillo, feel like a real and credible threat, he’s more of a satirical mash-up of Franco and Castro. He’s definitely a bad guy, with a vision for his country that he holds above all—even family, as he often reminds his son and protégé, Diego—but there’s a two-dimensional vibe I just can’t shake. We’ll have to come back to him later.
CURSE OR CURE?
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