IN SATYAJIT RAY’S 1958 film Jalsaghar, the aged, reclusive protagonist Bishwamber Roy stands alone on the terrace of his sprawling mansion, resolute in his refusal to change even as his home and legacy crumble around him. Strains of his beloved sitar waft in the air—he sells his last piece of jewellery to organise one final soiree in his jalsaghar (music room)— underscoring the melancholy of an ebbing era. The film is arguably the most evocative on-screen depiction of the decline of Bengal’s zamindars (landowners), following the end of colonial rule in India. Mirroring real life, it was partially shot at Nimtita Rajbari in Murshidabad, located on the Bangladesh border. At present, the over 150-year-old, oncepalatial home is in ruins, but it was already degenerating when Ray and his entourage visited here for a recce in 1957. The acclaimed filmmaker couldn’t believe that he had found a home that echoed the operatic tragedy of his protagonist. “No one could have described in words the feeling of utter desolation that surrounded the palace,” he later wrote.
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