Ask Jaiveer Johal how he came to be a collector and the Delhi-raised, Chennaibased entrepreneur instantly answers, "I've done it for as long as I can remember." He recalls, as a child, he'd squirrel away pretty things: crystal bowls, beautiful briefcases, silver plates. "If anything ever went missing, people always knew where to find it," he adds, quickly clarifying that said thieved objects "were limited to the confines of my own home". Before him, no one in the family-Johal's grandfather, Sardar Darbara Singh was a former chief minister of Punjab and his father was a scion of a successful conglomerate-devotedly amassed art. "They bought it to fit this wall or that. If there wasn't space for it, it was out of the question," he recalls of his parents and grandparents, who frequently purchased idiosyncratic pieces on their travels.
As he grew up, so did his interest in collecting. First it was books, then antique maps, and afterwards, during his years in London where he moved to study global politics, piquant art of all manner. He notes that he doesn't use everything he buys. "Being surrounded by books you haven't read shows you how little you know. It keeps you humble," he says of his "anti-library", named after the eponymous term coined by author Nassim Nicholas Taleb. It's no different with art; Most of his collection is in storage. A glorious gallimaufry in his apartment in Chennai's MRC Nagar is but a microcosm of his artistic expression. Many of his pieces among them Zarina Hashmi's Home is a Foreign Place (1999), displayed opposite the bar-are informed by a spirit of displacement, of a sense of isolation, sentiments that have haunted him through the years.
Esta historia es de la edición January - February 2024 de AD Architectural Digest India.
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Esta historia es de la edición January - February 2024 de AD Architectural Digest India.
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BANYAN TREE VEYA, IN MEXICO'S VALLE DE GUADALUPE, IS A NEW WELLNESS RESORT THAT LOOKS TO THE LAND.
A two-hour drive south from San Diego, the Mexican wine region of Valle de Guadalupe-dotted with fertile vineyards and family farms-has remained mostly under the radar, even to food-obsessed Americans.
DESIGNED IN 1988 BY RENOWNED LANDSCAPIST MADE WIJAYA, THE GROUNDS AT AMANDARI IN UBUD, BALI, FOREGO MANICURED LAWNS FOR AN ABUNDANT NATIVE PARADISE.
Coconut palms and banyan trees in sizzling jungle greens, cascades of bougainvillea and the scent of frangipani in the air—a tropical explosion of foliage that would have led Monet to abandon Giverny.
BANGALORE CLUB'S MAIN LAWNS, WITH A MAGNIFICENT RAIN TREE, GET A NEW UMBRELLA BAR AND COLONNADE BY AD100 ARCHITECTS SANDEEP KHOSLA AND AMARESH ANAND.
Time appears to come to a standstill when one enters the Bangalore Club.
FROM HER STUDIO IN LLOYD WRIGHT'S 1927 HOME, DESIGNER VICKI VON HOLZHAUSEN IS REFINING THE SCIENCE OF HIGHPERFORMANCE, PLANT-BASED MATERIALS.
It seems not only fitting but poetic that Los Angeles-based designer and eco-preneur Vicki von Holzhausen chose architect Lloyd Wright's own 1927 studio and residence as the symbolic headquarters of her namesake company, von Holzhausen, a pioneer in the development of high-performance plantbased materials.
IN THE LADAKHI HAMLET OF TURTUK, A KITCHEN GARDEN SUPPLIES FRESH PRODUCE TO THE BALTI KITCHEN OF BOUTIQUE HOTEL VIRSA.
To get to the most exquisite yet humble meal of your life, you'll have to take a six-hour drive from Leh and reach Turtuk, one of the only four Balti villages that fall on the Indian side of the border.
MAKAIBARI'S NEW EXPERIENTIAL STORE IN KOLKATA IS DESIGNED TO EVOKE A TEA PLANTER'S BUNGALOW.
Smell the tea, feel the carpets, enjoy the space”—such is the invitation from Rudra Chatterjee, chairman of Obeetee and managing director of Luxmi Tea Group, at the launch of fine tea brand Makaibari’s experiential store in October, at the Taj Bengal in Kolkata.
ARTS OF HINDOSTAN PIECES TOGETHER A SHORT HISTORY OF THE MUGHAL FLOWER-FROM ITS ORIGIN IN ATELIERS IN MEDIEVAL INDIA TO ITS UBIQUITY ACROSS TIME.
The Mughal emperor Jahangir was famously enraptured by the beauty of flowering plants that he saw on his visit to Kashmir in the spring of 1620.
A FURNITURE-ARTWORK PAIRING COMES TOGETHER AS PAOLA LENTI'S CAMPANA BROTHERSDESIGNED BENCH IS REIMAGINED TO MATCH ARTIST HUGO YOSHIKAWA'S PLAYFUL STYLE.
Vegetation has been the central subject matter of many Hugo Yoshikawa artworks for the past few years.
FROM SCULPTURES TO JEWELLERY, ARTIST LYNDA BENGLIS'S DESIGNS FOR LOEWE FEATURED IN THE BANCA MARCH GARDEN IN MADRID EARLIER THIS YEAR.
This spring, when the gates of the private Banca March Garden in Madrid's Salamanca neighbourhood opened to the public, visitors could experience four monumental fountains, emerging from the ground and soaring towards the sky.
FERNS AND FLOWERS BLOOM ON TOD'S BAGS AND SHOES, A SPECIAL LINE DESIGNED BY RAHUL MISHRA― NATURE BEING HIS CONSTANT MUSE.
India was once called “sone ki chidiya” (golden bird) for its abundance of resources, wealth and prosperity.
