How did the thought of Alankaram come about?
Since childhood, I have had a keen eye for art, colour and design-thanks to my mother who is an artist and my dad who is a Civil Engineer. After studying Architecture at the Pillai College of Architecture, I pursued Urban Design at the master's level. Post that, I worked for about 3-4 years at various architectural firms. I was fascinated with furniture design, especially wood. I wanted this material to shine in my design practice, so I decided to start designing furniture. However, I noticed a massive void in the market for skilled artisans. My husband, Dhwanit Parmar hails from an IT background, and I from an architectural one. So, we decided to create Alankaram that blends his business acumen and my passion for design. Alankaram aims to bring together the diverse nuances of varied cultures, through the cohesive thread of design.
Take us through the journey of your firm.
Even though we had set up Alankaram in 2013, the lack of local craftsmen and artisans made us realise that we needed our own furniture manufacturing unit, which we eventually set up in 2015. Alankaram strives to craft a blend of culture, sensibility, technology and fine craftsmanship, thereby giving birth to products that have won global acclaim and recognition. From merely a handful of artisans and a knockdown shed, we've grown into a company with one of the largest solid wood furniture units in India, having 2,00,000 sq ft of workspace, 10+ state-of-the-art CNC machines and 300+ skilled designers and artisans.
Esta historia es de la edición August 2022 de Architecture + Design.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August 2022 de Architecture + Design.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
A GRECIAN RETREAT
Shimona Bhansali imbues a subtle touch of opulence to this home in Mumbai
A BOLD STATEMENT
Dhampur Sugar Mills Limited's workspace in New Delhi designed and built by Officebanao adopts an industrial narrative
A BREATH OF FRAGRANT DESIGN IN DELHI'S HEART
An office that smells like perfumery; that is the vision that TWI brought to life in this office space designed for an acclaimed perfume company in India
MASTER OF ALL TRADES
The ethos of forward-thinking and ingenuity finds its architectural counterpart within the walls of Nikhil Kamath and Abhijeet Pai's office-a vision of organic design infused with the essence of India
A TOUCH OF OPULENCE
Designed by Aparna Kaushik, this Delhi office displays an interesting balance of classic aesthetics and contemporary sensibilities
THE WOODEN WONDERLAND
Priyanka and Piyush Mehra envision a stunning experience centre for Vikas Plywood
THE HUB: BUILDING COMMUNITIES
Studio Lotus designs a dynamic mixed-use community hub that activates Chennai's largest IT Park
THE WINNER'S PERCH
Baldiwala Edge designs a Singapore-based ship broker's office as a torch collector's paradise, offering a 360-degree bird's-eye view of the Mumbai skyline
THE DIRECTOR'S CABIN
Designed by Envisage, this office gives a new definition to the traditional notion of biophilia
Designing Corporate India
From weaving the magic of a Star Trek-themed command centre to crafting bespoke block-printed workstations, Vijaya Bhargav and Arnab Ghosh-the trailblazing co-founders of Ostraca-have astonishingly transformed a staggering 29 million square feet of office space for India's tech giants and global enterprises-all while maintaining a flat hierarchical company culture-fuelling a master class in corporate design