Hosted by Somerville Manning Gallery in Greenville, Delaware, the American Impressionist Society's 24th Annual National Juried Exhibition will feature nearly 170 juried paintings by some of the most prestigious artists work in the genre today. These works were selected from more than 1,600 entries by a five-signature member panel who rated the pieces in a blind jury process. An additional 25 paintings by AIS Masters, officers and founders will also be in the exhibition.
"You will see an incredible range of subject matter in our show," says AIS president Debra Joy Groesser. "From floral and still life, to animals, figures and portraits, to city scenes, landscapes, seascapes and more. We accept a wide variety of mediums too, including oil, acrylic, watercolor, gouache, pastel, casein and more. This adds another level of variety not seen in many other juried exhibitions of this caliber."
Works are juried into the show based on technical merit and whether or not the piece qualifies as impressionistic. "It's easier to define impressionism by what it isn't than what it is," explains Groesser. "It is not tightly rendered realism and it is not non-representational abstract. There is a wide range of work in between those two that qualifies as impressionism."
AIS Master Quang Ho will serve as Judge of Awards and is responsible for presenting more than $75,000 in cash and prizes, including a $12,000 cash award for best of show, to the winning artists.
Esta historia es de la edición August 2023 de American Art Collector.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August 2023 de American Art Collector.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.