When he was 15, Brian Keeler won a canoe race on the Susquehanna River in Pennsylvania where he frequently paddled with family and friends. Today, he documents the Susquehanna and the Finger Lakes just north of the New York border in paintings filled with the light and color of the region.
He often paints in the late afternoon Golden Hour, observing, “As I often do the out-of-doors painting late in the day because of my attraction to the heightened drama of raking light, a number of these works show the sun glinting on the lakes or glowing through trees etc. Others…are entirely painted in the studio but certainly based on impressions and studies from the motif. The play of light as it describes the form and character of the land or figure and brings out various qualities has long been of interest to me….” He often begins his paintings in plein air, as he says, capturing the fleeting light but “sticking to it as it changes.” Painting outdoors, he feels an emotional attachment to the scene from its smells, the feel of the air and the ambient sounds.
Approaching a canvas, he believes that even one line should create “some kind of interesting division of the space.” He creates the eye level a third of the way down from the top of the canvas which gives him the opportunity to emphasize the sky. He begins painting broadly and gesturally, going from broad generalizations to being more defined.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.