The sculptural coil Whorled (Here After Here After Here) by Jitish Kallat rests magnificently in the courtyard of London’s Somerset House, a mesmeric spiral that draws us in with its turns.
Its wild loop acts as an enticement, captivating onlookers and provoking them to venture deeper into its mysterious depths. All the questions of time and space – our perceptions, limitations and realities – swirl within us as if pulled into this powerful vortex. The conceptual charge and the spatial arrangement of this whorl are dynamic, creating a dizzying feeling; long scrolls of intertwined circles and words, replicating the appearance of UK street signs, impel and immerse viewers to face their innermost thoughts on time and space. Each rotation further emphasizes our smallness in the grand design of the universe.
Immersed in this perplexing experience, we are humbled into insignificance. The conceptual core of the sculptural creation, on view from the 16th of February to the 23rd of April, resonates with Kallat’s interdisciplinary artistic interests, fuelled by a commitment to scientific exploration, mathematical principles and investigation of astronomical realms. His creative manipulations of archival images have created startling constellations of visuality and unearthed data hidden within complex layers of visualisation. This combination of practices has enabled him to forge an impactful curatorial project such as the Kochi-Muziris Biennale (2014). Through his meticulous investigations, including the exhibition Otherwhile at Chemould Prescott Road from the 4th of December to the 4th of January, in Mumbai, Kallat has catalysed a conversation about our place in this universe.
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Esta historia es de la edición April 2023 de Art India.
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Parts, Wholes And The Spaces In Between
Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.
"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
OF DIVINE LOSS
Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.
THE PAST AND ITS SHADOWS
Neha Mitra visits two shows and three artists in Mumbai.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
SHAPES OF WATER
Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.
INTIMATIONS OF INTIMACY
Sunil Gupta shares his journey with Gautami Reddy.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.