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A long time ago I was introduced to the with graphite pencil and charcoal. When a certain situation arose, I used the same technique to draw with colored pencils. My biggest passion is to draw portraits, especially the elderly. I want to show personality in the subject. I try to take a picture so that the face is illuminated on one side and the other side is in shadow. Contact and intertwining of light and shadow enriches the drawing, bringing forth more emotion.
Before starting a new drawing project, I think about which color paper to use. The color should help in the workflow to get the final result and helps speed up the drawing process. I usually use Canson Mi-Teintes toned paper. In the end, I don't necessarily fill the whole sheet of paper with the same intensity because the paper works itself to achieve the completeness of the drawing. I like the roughness of this paper. Its hardness allows me to extract more specific, sharper lines.
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Esta historia es de la edición April/May 2023 de International Artist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
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Step by Step: Capturing Expression
I painted Olivier as part of a demonstration for my Wednesday online class. The month's theme was \"Alla Prima Portrait Expressions,\" focusing on capturing dynamic emotion in a static image.
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Intuitive response
My work is known for its raw, dynamic energy and freshness.
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The Portrait Society of America Chairman's Letter Educate, Inspire, Connect
Ralph Waldo Emerson said, \"How much of human life is lost in waiting.\"
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No Place Like Home
Focusing on color mixing and composition, Kayla Martell paints blissful interior scenes
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Moved by Instinct
Inspired by the beauty of nature, Jean Haines' watercolors bloom with spontaneity
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BACK-UP PLAN
An overview of the data storage options for all of the digital files that make up your art business
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Apex Predators
Growing up in Kenya surrounded by nature, Guy Combes talks about the passions of painting wildlife
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Skyscapes
Ksenya Verse highlights the intricate textures, variability and sculptural nature of clouds
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Something beguiling
In watercolor, I work exclusively with transparent pigments, carefully building textural effects through multiple glazes (sometimes up to five or six layers) to achieve dimension and detail in my realistic watercolors.
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HUNCHES ARE BUILT UPON WISDOM
Harley Brown's fascinating things no one else will tell you