Recently, I've enjoyed creating a series of paintings using black-and-white vintage photos as reference and inventing the color from imagination. I was going through a chapter of feeling stuck and "blocked" as an artist. Working with these images freed me up, giving me a more carefree attitude without a personal attachment to the subject like I do when painting someone close to me like a family member, friend or portrait client. These former eras of film, ballet and theater have a classic aesthetic that I love. I use the initial emotional impact I get from the photo, and I use that to guide the palette. I love working from vintage photographs for that reason-it exercises the interpretive muscle!
REFERENCE PHOTO
My reference here was a black-and-white photo of the dancer Margaret Morris, circa 1910. My intuition guided me to this Easter egg-inspired palette. I use a very extensive chromatic palette, but some key colors in this painting are: lead-tin yellow light by Michael Harding, and Sennelier paints in Chinese orange, baryte green, permanent green, cobalt violet and king's blue.
Esta historia es de la edición August - September 2022 de International Artist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August - September 2022 de International Artist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within