For several years, until the pandemic and declining health dictated otherwise, Edward Koren, who turned eighty-seven this month, made a point of trading life in northern New England for a few weeks in Paris, where he set up shop at Idem, the still thrumming nineteenth-century printing studio in Montparnasse. A contributor to The New Yorker for sixty years—more than a thousand cartoons and thirty-one covers, and counting—Ed has always been an eclectic cottage industrialist, bringing forth sui-generis art and artifacts (drawings, lithographs, books, utilitarian ceramics, wood sculptures, repurposed household objects), each of which bears the Koren quintessence: exquisitely textured draftsmanship, an insatiable eye, perfect pitch, and a droll empathy for earnest overthinking.
Esta historia es de la edición December 26, 2022 de The New Yorker.
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Esta historia es de la edición December 26, 2022 de The New Yorker.
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YULE RULES
“Christmas Eve in Miller’s Point.”
COLLISION COURSE
In Devika Rege’ first novel, India enters a troubling new era.
NEW CHAPTER
Is the twentieth-century novel a genre unto itself?
STUCK ON YOU
Pain and pleasure at a tattoo convention.
HEAVY SNOW HAN KANG
Kyungha-ya. That was the entirety of Inseon’s message: my name.
REPRISE
Reckoning with Donald Trump's return to power.
WHAT'S YOUR PARENTING-FAILURE STYLE?
Whether you’re horrifying your teen with nauseating sex-ed analogies or watching TikToks while your toddler eats a bagel from the subway floor, face it: you’re flailing in the vast chasm of your child’s relentless needs.
COLOR INSTINCT
Jadé Fadojutimi, a British painter, sees the world through a prism.
THE FAMILY PLAN
The pro-life movement’ new playbook.
President for Sale - A survey of today's political ads.
On a mid-October Sunday not long ago sun high, wind cool-I was in Harrisburg, Pennsylvania, for a book festival, and I took a stroll. There were few people on the streets-like the population of a lot of capital cities, Harrisburg's swells on weekdays with lawyers and lobbyists and legislative staffers, and dwindles on the weekends. But, on the façades of small businesses and in the doorways of private homes, I could see evidence of political activity. Across from the sparkling Susquehanna River, there was a row of Democratic lawn signs: Malcolm Kenyatta for auditor general, Bob Casey for U.S. Senate, and, most important, in white letters atop a periwinkle not unlike that of the sky, Kamala Harris for President.
