GHOSTS ON THE WATER
The New Yorker|June 24, 2024
Glass eels are mysterious creatures—and worth a fortune to those who catch them.
PAIGE WILLIAMS
GHOSTS ON THE WATER

In coastal Maine, jackpot payouts, fierce secrecy, and transnational poaching have transformed the eel industry.

The Sargasso Sea, a warm, calm expanse of the North Atlantic Ocean, is bordered not by land but by four strong currents—a gyre. Vast mats of prickly brown seaweed float so thickly on the windless surface that Christopher Columbus worried about his ships getting stuck. The biodiverse sanctuary within and beneath the sargassum produces Anguilla rostrata, the American eel. Each female lays some eight million eggs. The eggs hatch as ribbonlike larvae that drift to the Gulf Stream, which carries them to the continental shelf. By the time they reach Maine, the larvae have transformed into swimmers about the length of an index finger, with the circumference of a bean sprout and the translucence of a jellyfish. Hence their nickname, glass eels, also known as elvers. The glass eel is barely visible, but for a dark stripe—its developing backbone—and a couple of chia seeds for eyes. “Ghosts on the water,” a Maine fisherman once called them. Travelling almost as one, like a swarm or a murmuration, glass eels enter tidal rivers and push upstream, pursuing the scent of fresh water until, ideally, they reach a pond and commence a long, tranquil life of bottom-feeding. Elvers mature into adults two to three feet in length, with the girth and the coloring of a slimy bicycle tire. Then, one distant autumn, on some unknown cue, they return to the Sargasso, where they spawn and die.

Esta historia es de la edición June 24, 2024 de The New Yorker.

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Esta historia es de la edición June 24, 2024 de The New Yorker.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.