LATE SHIFT
The New Yorker|February 27, 2023
After a career made from amiable roles, Randall Park breaks out of character.
HUA HSU
LATE SHIFT

I don’t remember when I first saw Randall Park, only that one day he seemed to be everywhere.

Park, a forty-eight-year-old Korean American actor, has been on television and in film for nearly two decades, becoming one of those faces you recognize instantly—but from what? For years, he had cameos and guest spots, playing a doctor, a friend of a friend, another doctor. He’s been on “The Office,” “Curb Your Enthusiasm,” and “Veep,” and he is one of the few actors currently working in both the Marvel and the D.C. cinematic universes.

His career has been defined by a kind of chummy adaptability, whether he plays a dictator (he made Kim Jong Un seem like a fun hang in “The Interview,” from 2014) or raps, as he did as a slacker in the 2019 romantic comedy “Always Be My Maybe,” or adopts an immigrant’s accent, as in his breakthrough role, on the ABC sitcom “Fresh Off the Boat,” adapted from the chef Eddie Huang’s memoir. The series débuted in 2015 and was the first network show in nearly two decades to feature a predominantly Asian cast. For six seasons, Park played Louis Huang, the series’ wholesome, occasionally overwhelmed father. His onscreen presence makes him seem approachable, if people notice him at all. “One of the great advantages of being Asian, and borderline well known, is that people tend to think you look like just another Asian,” he told me. I made this mistake myself one time. We met near Manhattan’s Chinatown and, as he approached, I noticed his colorful cycling hat before I noticed him.

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