Nothing made Gay Courter happier than being on a ship. She and her husband, Phil, had travelled the world by everything from hydroplane to hot-air balloon, but something about the sea air and the rocking motion of the water gave her an unparalleled feeling of well-being. In late January of 2020, the Courters embarked on their twentieth cruise together-a twoweek tour of Southeast Asia aboard a ship called the Diamond Princess. They began their adventure in Tokyo, where they dined on fugu, the occasionally fatal puffer fish. Gay had a tradition of giving every trip a name. She was calling this one Seventy-five and Still Alive. They assumed that they'd already survived the most harrowing bit.
The Courters live by the water in Crystal River, Florida. They have three children and eight grandchildren. They are semi-retired and own a production company that makes documentary and educational films. Phil builds things and plays the banjo. Gay writes. She is the author of eleven books, ranging from The Beansprout Book, which, according to her Wikipedia page, “introduced beansprouts to American supermarkets and the general public, to The Midwife, a best-seller in 1982. Her most recent novel, published in 2019, is set on a cruise ship. According to its promotional material, the book juxtaposes the sumptuousness of a dream vacation with the horrors that lurk around the bend.
Esta historia es de la edición July 29, 2024 de The New Yorker.
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Esta historia es de la edición July 29, 2024 de The New Yorker.
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HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.