PLAYING THE NUMBERS
The New Yorker|August 05, 2024
My mother, the gambler.
VICTOR LODATO
PLAYING THE NUMBERS

The author as a baby, with his parents and his older brother in New Jersey.

“Give me three numbers, baby.” My mother made this request often so often, in fact, that when I try to remember her voice this is what I hear. I can see her, too. She’s in the kitchen, sitting at the white Formica table, the green wall phone behind her, the phone she’ll soon pick up to place her bet. She’s smiling, because this moment is capacious: everything’s possible. It’s a moment in which—unless you’re a pessimist, and my mother is not—Fortune is on your side.

She’s dressed for the occasion, in a f lower-print top and stretchy yellow slacks, as if to advertise her innocence before breaking the law. Of course, for a long time I didn’t know that what my mother was doing was illegal. She certainly didn’t look like a criminal, sitting there with her blond hair intricately coiffed. The stylist had made it look like a sfogliatella, a kind of Neapolitan pastry that we often had in the house. My mother’s hair possessed the same golden hue, the same artful construction of multilayered swoops. Plus, the glossy lacquer of Aqua Net was not unlike the sugar on the pastry. That this delectable human might want my advice made me feel giddy.

I don’t recall her ever asking my brother for numbers. My brother was older, more confident, more defined as a person. Perhaps, as such, he lacked mystery. So my mother looked to me, the quiet one.

Esta historia es de la edición August 05, 2024 de The New Yorker.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

Esta historia es de la edición August 05, 2024 de The New Yorker.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

MÁS HISTORIAS DE THE NEW YORKERVer todo
ART OF STONE
The New Yorker

ART OF STONE

\"The Brutalist.\"

time-read
6 minutos  |
December 30, 2024 - January 6, 2025
MOMMA MIA
The New Yorker

MOMMA MIA

Audra McDonald triumphs in \"Gypsy\" on Broadway.

time-read
5 minutos  |
December 30, 2024 - January 6, 2025
INTERNATIONAL AFFAIRS
The New Yorker

INTERNATIONAL AFFAIRS

\"Black Doves,\" on Netflix.

time-read
5 minutos  |
December 30, 2024 - January 6, 2025
NATURE STUDIES
The New Yorker

NATURE STUDIES

Kyle Abraham's “Dear Lord, Make Me Beautiful.”

time-read
5 minutos  |
December 30, 2024 - January 6, 2025
WHAT GOOD IS MORALITY?
The New Yorker

WHAT GOOD IS MORALITY?

Ask not just where it came from but what it does for us

time-read
10+ minutos  |
December 30, 2024 - January 6, 2025
THE SPOTIFY SYNDROME
The New Yorker

THE SPOTIFY SYNDROME

What is the world's largest music-streaming platform really costing us?

time-read
10+ minutos  |
December 30, 2024 - January 6, 2025
THE LEPER - LEE CHANGDONG
The New Yorker

THE LEPER - LEE CHANGDONG

. . . to survive, to hang on, waiting for the new world to dawn, what can you do but become a leper nobody in the world would deign to touch? - From \"Windy Evening,\" by Kim Seong-dong.

time-read
10+ minutos  |
December 30, 2024 - January 6, 2025
YOU WON'T GET FREE OF IT
The New Yorker

YOU WON'T GET FREE OF IT

Alice Munro's partner sexually abused her daughter. The harm ran through the work and the family.

time-read
10+ minutos  |
December 30, 2024 - January 6, 2025
TALK SENSE
The New Yorker

TALK SENSE

How much sway does our language have over our thinking?

time-read
10+ minutos  |
December 30, 2024 - January 6, 2025
TO THE DETECTIVE INVESTIGATING MY MURDER
The New Yorker

TO THE DETECTIVE INVESTIGATING MY MURDER

Dear Detective, I'm not dead, but a lot of people can't stand me. What I mean is that breathing is not an activity they want me to keep doing. What I mean is, they want to knock me off. My days are numbered.

time-read
3 minutos  |
December 30, 2024 - January 6, 2025