SCRATCH THAT
The New Yorker|October 24, 2022
 What we've lost playing the lottery.
KATHRYN SCHULZ
SCRATCH THAT

At my local convenience store, and almost surely at yours, too, it is possible to buy upward of fifty different kinds of scratch-off lottery tickets. To do so, you must be at least eighteen years old, even though the tickets look like the décor for a kindergarten classroom. The dominant themes are primary colors, dollar signs, and shiny, as in gold bars, shooting stars, glinting horseshoes, and stacks of silver coins. When you are looking at a solid wall of them, they also resemble—based on the palette, font choices, and general flashy hecticness—the mid-nineties Internet. Some of them are named for other games, such as the Monopoly X5, the Double Blackjack, and the Family Feud, but most are straightforward about the point of buying them: Show Me 10,000!, 100,000 Lucky, Money Explosion, Cash Is King, Blazing Hot Cash, Big Cash Riches. If your taste runs toward Fast Cash or Red Ball Cash Doubler, you can buy one for just a buck; if you prefer VIP Club or 2,000,000 Gold Rush, a single ticket will set you back thirty dollars. All this is before you get to the Pick 3, Pick 4, Powerball, and Mega Millions tickets, which are comparatively staid in appearance—they look like Scantron sheets—and are printed out at the time of purchase.

The strangest of the many strange things about these tickets is that, unlike other convenience-store staples—Utz potato chips, Entenmann’s cinnamon-swirl buns, 1.98 bottles of wine—they are brought to you by your state government. Only Alabama, Alaska, Hawaii, Nevada, and Utah are not in the business of selling lottery tickets. Everywhere else, Blazing Hot Cash and its ilk are, like state parks and driver’s licenses, a government service.

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