He had ransacked his mind but he could not remember and he could not recall many other things besides. The period before his arrival, for instance. He knew he came from elsewhere. His appearance made that abundantly clear, and he did not speak the islanders' language, although between gestures and the few words of his own language the islanders knew, he could communicate most of his basic needs.
The island was small. If one cared to, one could walk from one end to the other in a matter of hours. To reach the southern tip, where there was a swimming beach, he sometimes took one of the small buses that circulated throughout the day. Across the hazy sea to the south, one saw a city on a far-off coastline, with factories lining its harbor, whose tall chimneys emitted knotted white streams. An unmaintained road led from the swimming beach into steep hills above, where an abandoned complex of concrete structures had been overrun by bushes and ivy. To the north, not visible from the beach, was a distant shore, where rows of mountains resembling jagged waves disappeared into the mist.
The island itself had a teardrop shape. Craint knew this from a map at the bus depot and another at the ferry terminal. Its northern half had been given over to mining ventures.
Large machines dug up the rocky waste and pulverized it into powder and gravel. He had seen images of this in the small museum devoted to the island's history, where, unable to read the explanatory texts, he had had to invent his own history from the photographs and dates.
The problems with his memory made Craint reluctant to ask questions that might cause him to appear foolish. At his hotel he refrained from asking how many nights he had stayed, afraid such an inquiry might call attention to the bill he had no means of paying. For now, at least, the proprietors seemed unconcerned about their guest's ability to meet his obligations.
Esta historia es de la edición November 11, 2024 de The New Yorker.
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Esta historia es de la edición November 11, 2024 de The New Yorker.
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NO WAY BACK
The resurgence, in the past decade, of Paul Schrader as one of the most accomplished and acclaimed contemporary movie directors is part of a bigger trend: the self-reinvention of Hollywood auteurs as independent filmmakers.
PRIMORDIAL SORROW
\"All Life Long,\" the title of the most recent album by the composer and organist Kali Malone, is taken from a poem by the British Symbolist author Arthur Symons: \"The heart shall be weary and wonder and cry like the sea,/ All life long crying without avail,/As the water all night long is crying to me.\"
CHOPPED AND STEWED
The other day, at a Nigerian restaurant called Safari, in Houston, Texas, I peeled back the plastic wrap on a ball of fufu, a staple across West Africa.
TOUCH WOOD
What do people do all day? My daughter loves to read Richard Scarry's book of that title, though she generally skips ahead to the hospital pages.
HELLO, HEARTBREAK
Heartbreak cures are as old as time, or at least as old as the Common Era.
ENEMY OF THE STATE
Javier Milei's plan to remake Argentina begins with waging war on the government.
THE CHOOSING ONES
The saga of my Jewish conversion began twenty-five years ago, when I got engaged to my first husband.
OBSCURE FAMILIAL RELATIONS, EXPLAINED FOR THE HOLIDAYS
Children who share only one parent are half siblings. Children who have been bisected via a tragic logging accident are also half siblings, but in a different way.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
BADDIE ISSUES
\"Wicked\" and \"Gladiator II.\"