“Noise” is a fuzzy word—a noisy one, in the statistical sense. Its meanings run the gamut from the negative to the positive, from the overpowering to the mysterious, from anarchy to sublimity. The negative seems to lie at the root: etymologists trace the word to “nuisance” and “nausea.” Noise is what drives us mad; it sends the Grinch over the edge at Christmastime. (“Oh, the Noise! Noise! Noise! Noise!”) Noise is the sound of madness itself, the din within our minds. The demented narrator of Poe’s “The Tell-Tale Heart” jabbers about noise while he hallucinates his victim’s heartbeat: “I found that the noise was not within my ears. . . . The noise steadily increased. . . . The noise steadily increased.”
Esta historia es de la edición April 22 - 29, 2024 (Double Issue) de The New Yorker.
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Esta historia es de la edición April 22 - 29, 2024 (Double Issue) de The New Yorker.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.
