Samsung isn't the only brand to combine OLED's self-emissive contrast talents and the brightness/ colour benefits of Quantum Dots in a TV this year. Sony is also in on the QD OLED act with its A95K series, in 55in (tested here) and 65in versions that command a premium over Samsung's already discounted S95B model. Is the extra cost justified?
Aesthetically the £2,399 XR-55A95K (the 65-incher sells for a toppy £3,199) couldn't be more different to Samsung's first-gen QD OLED set. That TV has an incredibly thin, smart metallic finish, whole Sony's is a chunky beast by modern standards. There's still something stylish about it in an industrial kind of way, though, and I appreciate having the choice of whether to attach it to the front or back of its heavy-duty metal stand.
There's an excuse for its bulk in the shape of Sony's Acoustic Surface audio tech, where actuators behind the screen that turn it into the TV's speaker system are backed up by two bass drivers built into the set's rear.
We've heard Acoustic Surface technology on Sony OLED TVs before, of course, and it works just as well with QD OLED screens. The pulsating Dolby Atmos soundtrack of Baz Luhrmann's Elvis (4K Blu-ray) sounds consistently excellent through the XR-55A95K: dynamic, open and clean, with accurate effects placement both on and beyond the screen.
Just the two of us
The TV's connections are reasonably strong, with two of its four HDMIs supporting 4K/120Hz feeds, as well as variable refresh rates and automatic low latency mode switching. PS5 owners can also enjoy auto HDR optimisation, while image lag in Game mode is kept to a respectable 16.5ms with 60Hz sources.
Esta historia es de la edición December 2022 de Home Cinema Choice.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición December 2022 de Home Cinema Choice.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming