THE BABYLON PROJECT WAS A dream given form. A five-year form, to be precise, as Babylon 5 creator J Michael Straczynski mapped out an epic story of the eponymous five-mile space station, writing 92 of its 110 episodes himself.
The show may have been a contemporary of Jean-Luc Picard, Benjamin Sisko and Kathryn Janeway's adventures on the final frontier, but it took an altogether less idealistic view of humanity's future - light years from the cosiness of the Federation, Earth found itself under the control of a dictator for much of B5's run, while the cast of alien races tended to spend more time squabbling than getting along.
It also broke the mould with its famous five-year plan as Straczynski (aka JMS; the J stands for Joseph) shepherded the show through a complex, (mostly) pre-planned arc in an era when TV serialisation was minimal, and the viewing public was in thrall to stories-of-the-week.
"When I first told Warner what I wanted to do they looked at me in the way a cat looks at a doorknob - they're not quite sure what it does, or how to operate it," Straczynski tells SFX. "No one had done a specific five-year arc with a beginning, middle and end, and I had to sort of figure out how that worked as I went. Damon Lindelof, when he did Lost, asked how we did it, and I also heard from Battlestar Galactica and gave them some advice. Then, when those two took off with this arc structure, it just blew up, and it's become ubiquitous in television programming. It's deeply gratifying, slightly puzzling and really rewarding."
Now, 30 years after Babylon 5's debut, the dream has been given a new form. There had been signs and portents of a live-action reboot for a while (more on that later), but Straczynski took fans by surprise earlier this year when he confirmed that an all-new animated movie was lurking in hyperspace, preparing for release this summer.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS