ANJU MODI
Anju Modi fondly remembers her time on the Bajirao Mastani (2015) and Goliyon Ki Raasleela Ram-Leela (2013) sets. Not only did she get a front-row seat to watch love blossom IRL between Deepika Padukone and Ranveer Singh, but also fun instances where Priyanka Chopra and Deepika Padukone would banter with Sanjay Leela Bhansali on who would get the better saree for a specific sequence. These light-hearted moments were sprinkled through the rigorous shooting schedules of two of Bhansali’s blockbuster hits. It’s no secret that Bhansali is a hard taskmaster, but that’s something that designer Modi took in her stride when she worked on the two movies for which she designed costumes. Costume design comes naturally to Modi, who has been working with craftspeople and artisans for the majority of her 35-year-long career. “Ram-Leela came to me in 2011 when Sanjay ji was looking for a designer who was proficient in the authentic craftwork of Gujarat. He found me, rather than it being me who approached him. So, that was a lucky day,” Modi chuckles as she reminisces about her early days of working on the project. Sonam Kapoor recommended Modi to Bhansali after seeing her collection ‘Meera’ inspired by Sant Mirabai, which featured beautiful tie-dye work from Rajasthan and Gujarat.
When approaching the drawing board to create costumes for a film, Modi constantly studies the nuances of the characters and gets into their skin. “I need answers to questions about their psyche, emotions, and who they are as people. In Ram-Leela, when Deepika takes on the role that her mother played as the matriarch, I ensured that she was powerdressing, in contrast to her outfits when she was initially being flirtatious with Ranveer’s character in the movie. We did full-sleeve jackets and collared blouses to make her look more powerful. Costumes are created per the scene’s demand and to support it,” adds Modi.
Esta historia es de la edición August 2024 de Grazia India.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August 2024 de Grazia India.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Cultural Renaissance
With a vision to bridge Jaipur's artistic legacy and the global contemporary art world, HH Maharaja Sawai Padmanabh Singh and Noelle Kadar launch the Jaipur Centre for Art
LOVE, LOSS, AND LESSONS LEARNED
In conversation with Durjoy Datta, as he reflects on the emotional toll of writing intense stories, his journey as an author, and how his latest book revisits themes of love, second chances, and loss
All Eyes On THIS
Meet the newest standout brands on Grazia's beauty desk
Is Restocking Our Fridges A New Form Of Self-Care?
All the reasons why #restocking may not be as calming as it seems
SAVOUR THE TASTE OF SOUTHEAST ASIA
In the heart of our capital lies an extraordinary dining experience, unlike any other
ESCAPE THE ORDINARY
Luxury stays are now an essential part of our lives.
CHEFS ON THE LOOSE
Here's How Pop-Ups, Takeovers, and Workshops Are Heating Up the Indian Culinary Scene
NOT SO HIDDEN
What's making everyone wear acne patches, from transparent ones to colourful with bold designs, in public spaces?
RAISING THE BAR
With medi-facials on the rise, we're setting new benchmarks of our expectations from these treatments, and they're delivering
WHAT WORLD ARE WE LEAVING BEHIND FOR HER?
Despite stronger laws, crimes against women continue to rise in India. The International Day of the Girl Child is not one for celebration, but instead, one for igniting concern, awakening, and reformation